Fearghus Ó Conchúir Choreographer and Dance Artist

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Only you: Teatr magazine

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After my residency in Poznan last year, I was invited to write an article for the Polish journal Teatr. I’ve just received a copy: Only you Fearghus Ó Conchúir Last January, as part of a research opportunity at The Arts … read more…

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Tabernacle: David Lotric’s photos of the technical rehearsal at Kino Siska

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Though the technical rehearsal went on late into the evening, David Lotric stayed with us and what his photos show me is that even when the dancers are not ‘performing’ they communicate simply and honestly the kind of humanity that … read more…

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Tabernacle: After Ljubljana and London

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My not having posted so much about the Ljublljana and London legs of the Tabernacle tour has causes that are prosaic and instructive. On the prosaic side, I started to get tired as we progressed, particularly after the travel delay … read more…

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Mo Mhórchoir Féin wins audience award at the Capital Irish Film Festival

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Mo Mhórchoir Féin shared the audience award for best short with David Bolger’s Deep End Dance at the Capital Irish Film Festival, organised by Solas Nua in Washington. Fearghus was there to accept the award on behalf the whole team … read more…

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‘Catch me’: Mary Kate Connolly’s essay on text in Irish contemporary dance

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What catches my attention in this article is the notion of the redistribution of mind, so that thinking is no longer the sole province of a mind imagined as residing in, but irreducible to, the physical mass of the brain. Instead the whole body becomes an agent of thought. And so dancing becomes a way of thinking.

So while Tabernacle might frustrate people who wish only to apply a rationalist thinking to their encounter with the work, it invites instead a thinking through the body. Not anti-thought but asking for a more whole-bodied approach to thinking. read more…

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Tabernacle in Barcelona: The performance

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I’m writing this post after midnight in the A&E of Barcelona’s Hospital Clinic where Mikel is having his ankle checked having twisted it at the start of tonight’s performance of Tabernacle. Watching the show I knew he was more physically … read more…

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Tabernacle in Barcelona

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For the past week, Tabernacle has been in residency at El Graner in Barcelona, a brand new space run by Mercat de les Flors where we perform this week. El Graner is in a refurbished Phillips lightbulb factory and we’ve … read more…

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Dancing at Tove Hirth’s sculpture exhibition

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Tove Hirth and I have been friends since we met at Pearson College in Canada in 1987. I think we both discovered our art forms at Pearson, me dancing in the Theo Dombrowski’s Ukrainian Dance Group (and as I write … read more…

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Rua Red: Bodies and Buildings film exhibition

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The facilities of Rua Red arts centre in Tallaght have been a discovery for me. I’ve spent a week there mentoring the Dancer in Residence for South Dublin County Council, Louise Costelloe and also installing an exhibition of my films … read more…

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Tabernacle at the Kilkenny Arts Festival

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Performing in the Kilkenny Arts Festival has been the start of working out how Tabernacle continues beyond its initial performances in Dublin last May. It was my first visit to the Festival and it’s wonderful to see how a beautiful city welcomes a wide range of art forms. It’s been a very positive experience to have been programmed to present the work again and I’m very grateful to Tom Creed for having been willing to take that programming decision before Tabernacle was was even made. His confidence has ensured that the work can build a momentum of interest in the audience and hopefully ensure a longer life for Tabernacle. read more…

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